The song finally reached the number-one position on the Billboard Hot 100 on August 17, 2011, and spent two straight weeks there. The song became Perry's sixth number-one single on the Billboard Hot 100 chart, and her fifth consecutive number-one single. Perry became the first woman in the 53-year history of Billboard to take five singles from the same album to number one on the Billboard Hot 100, equaling the record established by Michael Jackson 23 years earlier.[25] As of August 2020, the single has been certified 6 times platinum by the Recording Industry Association of America (RIAA)[26] and sold 3.8 million copies in the US.[27] According to Nielsen Broadcast Data Systems, "Last Friday Night (T.G.I.F)" was the tenth most played single on US radio during 2011 with 450,000 plays.[28] The song has also peaked at number-one on the Canadian Hot 100[29] and received a quadruple platinum certificatio from Music Canada (MC).[30] "Last Friday Night (T.G.I.F.)" peaked at number two on the Irish Singles Chart. On the New Zealand Singles Chart it peaked at number four, marking Perry's first top spot miss, though it still managed to receive platinum by the Recording Industry Association of New Zealand, making it her fifth platinum selling single from her album. The song debuted at number 40 in Australia, and later peaked at number five in the country and going platinum. In the UK, the song peaked at No. 9 in the UK Singles Chart. September 17, 2011 marked Perry' 69th consecutive week in the Top 10 with the single.[31]
Fiday Fun: Making A Pop Song
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Despite the overwhelmingly negative reviews, a few reviewers had positive things to say about the song and video. Entertainment Weekly writer Joseph Lynch noted that there was "something sickeningly catchy about this tune that keeps you coming back for more."[30] Rolling Stone's Perpetua stated, "When you see this video, you immediately notice everything that it does wrong, but it actually gets a lot of things about pop music right, if just by accident."[12] OK! Magazine also noted that "some are calling the 13-year-old signed singer the next Justin Bieber."[43] After watching the video, singer Chris Brown said "Honest opinion? It was great. I'll be jammin to it on Friday, Friday."[44][45] Fellow teenage singer Miley Cyrus denied that she had criticized Black, saying "I am a fan" and that she sang Friday while driving.[46] Simon Cowell praised Black, saying "'I love her [and] the fact that she's got so much publicity...People are so upset about the song, but I think it's hysterical...Anyone who can create this much controversy within a week, I want to meet. I love people like that.'"[47] He observed that "Any song to do with the weekend annoys you. It reminds me of 'Saturday Night'... It's what we call a 'hair-dryer song,' a song girls sing into their hair dryers as they're getting ready to go out. But the fact that it's making people so angry is brilliant."[48] Cowell advised Black not to "listen to anyone over the age of 18. I'm being deadly serious. Whatever she's done has worked. Whether you like her or not, she's the most talked-about artist in America right now. Nobody over the age of 18 should understand her or like her. So she should just do it her way."[49]
The song just uses a really simple 4 chord progression which is G, Bm, A, F sharp minor, and then turns around back to the G, making it one of the fastest easy pop songs on guitar to learn. The original uses piano and other electronic percussion elements, so you are free here to choose a strumming pattern that you think is suitable for the song or style you wish to present it as.
This dance song for kids has taken the world by storm! It was released in 2016 by the South Korean company Pinkfong. The dance song quickly went viral, with the catchy tune and easy dance steps making it a hit with kids (and adults!) all over the world. So put on your dancing shoes and get ready to swim along with the baby sharks!
The constant back and forth between BF and Daddy Dearest almost perfectly contrast with the rhythm and tone of the song which, despite the stakes, is full of fun and energetic notes that encourage you to move along with it. BF's 'Good Job!' animation is also the perfect encouragement, making the song into something short but special.
This results in a song that, while not the hardest song in the game by any means, manages to be one of the most memorable for how effortlessly it gets your head bobbing to the rhythm. Skid and Pump themselves add an extra layer of personality to the entire sequence, making the whole week into something you are likely to remember even after 'Spoopy Month' is over.
Relationships that need compromise with both parties making an effort are often the strongest and longest lasting, so this song could be turned into a lighthearted take on that. Finding the middle ground on things is essential to a happy and healthy relationship, after all.
This song is about being head over heels in love with someone, so a parody idea could be about how love can be blind, still loving a person with exaggerated unibrows, or just making a funny and relatable video.
The original lyric contained a fairly ripe, but relatively coded description of sex with a chorus beginning "Tutti frutti, good booty" that had been going down a storm in live performances. Cleaned up for recording purposes with the jive slang "aw rooty" (which means "how lovely"), the song manages to sound just as racy as ever, thanks in no small part to the explosive holler "A-wop-bop-a-loo-bop-a-wop-bam-boom!" which Richard would throw in at key moments. While it's been interpreted in all sorts of ways, largely from the effect it had on listeners, that cry is actually a vocal approximation of a drum break, making Little Richard not just a rock 'n' roll pioneer, but one of the earliest beatboxers on record too.
La La La is a song about the expressive limitations of words. Lyrically it describes an argument in which the singer - Sam Smith, although Emeli Sandé was also in the frame to perform it - has simply had enough of someone else's nonsense, has stuck fingers in ears and started making wordless sounds to block the world out. But of course music is another way to keep people out of your face, so as a nod to the modern world, Naughty Boy's lyric has him putting in the earbuds and "turning up the volume" to block out any further interaction, while continuing to sing out loud. So the childlike, wordless Bollywood refrain upon which the song is built exists not only to us, but also within the reality of the lyric.
Perhaps one of the least understood songs in popular music history, MMMBop is a song about seizing that moment, carpe-ing that diem and generally making good use of the precious time you're allotted on the planet. It's there in the verses, which lament the passage of time with the vanity of youth: "When you get old and start losing your hair / Can you tell me who will still care?"
So he just made up his own dialect, with sounds that suited the melody. This had the unexpected side-effect of making that section of the song appear to mean different things in different cultures: "Somewhere in that made-up language, I am actually saying something, because even to this day, we'll play India, and someone will tell me, 'Yes, you've touched on certain words in [our language].' As long as I am not cursing you out, I am going in the right direction." 2ff7e9595c
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